blog description

Old women talk about old things: history, myth, magic and their
checkered pasts, about what changes and what does not.

Friday, February 24, 2012

The Triple Goddesses

I’m not sure when I heard the story the first time. I know it was in primary school- maybe 2nd grade?

“The reason we have winter is that Demeter’s daughter, Persephone, was taken to the underworld and forced to stay there half a year. While she was gone, her mother wouldn’t make things grow – so they don’t grow in Fall or Winter. Then she would return, and Demeter would be so happy that she would make flowers bloom, and it would be Spring again!”

Such a simple story, a lovely way to explain the seasons to girls and boys - a creation myth.

Recently I heard a different version:

The maiden, Persephone, is dancing in a meadow, celebrating the beauty and bounty of a warm day. The dark god, Hephaestus, kidnaps the maiden and takes her from the world. Above them Demeter is frantic, panicked, inconsolable. She rends her clothes, tears her hair, and madly races from here to there, crying, moaning, screaming for her daughter. Removed from this scene, overlooking the earth from a distance, Demeter’s mother, Hecate, watches as her daughter mourns. She does not interfere with events. She does not try to distract Demeter, nor offer her platitudes and false comfort. Hecate is the wise woman, who knows that life is unfolding as it must, as it will.

In this telling the humanity of the women and the presence of Hecate dominate the plot. This isn’t about Spring; this is the three stages of womanhood. Persephone plays like a child, marries like a queen, and separates from her mother willingly in the end. The Maiden attracts a man and shares his fate and fortune. Demeter nurtures life and loves with an intensity that forces all other concerns into the periphery. The Mother works to feed the world, and sacrifices everything for her offspring. Hecate, the wise Crone, watches the cycle, knowing that life is change until it ends. The Grandmother can care for her children without struggling to keep the world from turning.

This story was told by a woman to a circle of women. She is a mother and a farmer – Demeter personified, which made the experience resonate deeply in my heart and mind. I hope to enter Cronehood knowing it is a blessed time of life, not to be trivialized. Life needs the wisdom of those who know that the cycles come around – even if they do not say it. The silence of Hecate is a sacred space in the universe.

Sage and Crone, Sage and Crone,

Wisdom’s gift shall be our own.

Crone and Sage, Crone and Sage,

Wisdom is the gift of age.

-- Anon

Wednesday, February 22, 2012

When Life hands you lemons . . .

A Crone Henge Guest post
by Ginger Simpson


When life hands you lemons, ask for tequila and salt and call me over!! Doesn't that look like something the pictured lady would say?

This has been quite a month. This year was supposed to start out on a better note, but so far, not much improvement over 2011. We started a trip to California by car, thinking we'd save money if we took our new Kia Rio. We got as far as Oklahoma and decided to come home. No bra in the world could support that rough ride. *lol* Of course, we had "tire" troubles that helped with the decision to discontinue our travels, but it was probably for the best.

We came home to find our basement leaked and our bedroom flooded. Not a bad flood, but enough to have to take up the carpeting and dry it, replace an entire wall, and, as soon as the ground dries, do some landscape improvements that will keep the water from seeping inside.

Of course, the cost of the short trip, the bedroom fiasco, and recovering from shell shock at seeing our W-2 forms for last year wasn't enough... I went to the eye doctor for new glasses, but discovered the new lenses that were inserted during my cataract surgery in December 2010 had formed a film over them. Oh joy, lucky me. So, after two visits for laser surgery, I'm good to go. Just waiting for the next bomb to drop.

Kelly (hubby) decided he wanted to retire, so now I'm stuck with him...literally, like a piece of gum on my shoe. I love him tons, but absence does make the heart grow fonder. Along with dealing with his presence every minute of the day and night, he thinks he doesn't need to wear his sleep apnea mask anymore, even though it was prescribed because of high blood pressure, fatigue, and snoring that wakes the dead. We recently found that he's been over-medicated, taking two beta blockers at once, which might be a factor in his being tired all the time. I don't really relish sleeping with someone who looks like Jacques Cousteau, but come on. If you need the mask, you need the mask. Who cares if it's worn off your mustache and kills my sex drive. *lol*

They have medications for everything now days. How did we ever survive this far? Things to wake you up, put you to sleep, make you pee, quit peeing, curb your appetite, increase your metabolism, check your sugar. Isn't medicine just amazing. Of course you have to watch out for the side affects written in small letters on the literature or speed-read through the commercials. Instead of restless legs you can end up with a gambling problem or driving while you sleep. Most drugs seem to take on some part of your body. If a disease doesn't kill you, your medicine might. I'm still trying to figure out why taking a medicine for penile dysfunction causes side-by-side tub bathing.

Okay, enough of the dismal stuff. The cartoon and the quote featured above makes me chuckle. If I could drink along with the medications I take, I might just follow the advice, but... dang!
I'm alcohol free these days. I remember the good old days of Bud Light and Country Line Dancing. Oh to go back and relive it again. My boogie could use a little boot-scootin' but I fear my tush is beyond pushin'.

Boy, am I glad I'm a romance author with a good imagination. Writing is my escape from days like these. I can be Scarlett O'Hara or Rhett Butler, and no one can tell I'm really a senior citizen with a bad attitude. Frankly, my dear, I don't give a damn! Love saying that.
If you'd like to sample my work, please visit my website, or either one of my blogs ...

Ginger Simpson

Saturday, February 18, 2012

One Owl is a Party


Searching for cool t-shirts before Christmas—a favorite gift in our family—I stumbled upon a site which sold graphic work of all sorts which was created by many different artists. It’s sort of internet coop , one where a person with talent can realize some profit. 
One afternoon when I should have been doing anything other than paging their catalog ,  I came upon a t-shirt which brought me up short.
“One Owl is a Party.
Two Owls is Crazy Talk.”
I stopped clicking, and began to think about what that phrase might possibly mean. It was clearly a riff on the “One… is a Party; two is crazy talk” phrase, although the original of that has long since evaporated from my mind.  It was easier to think about owls than to ponder this for long—so I did. 
Such interesting birds! They've been around for some 5 million years.  To paraphrase “A Hard Day’s Night” , they’ve been “looming large in humanity’s legend”  for a long time, helping with the rodent problems we create. They also appear as symbols in almost every earthly culture as omens of doom/death/despair, those winged, claw-footed Goddesses from The Dark Side.
My mother-in-law, an angry Scorpio, was fascinated by owls. She had shelves full of owl knick-knacks and ornaments, mugs, throws, pictures, books and so on. She also--rather like a Thurber character--kept a brain-addled, flightless owl. He lived for years in a cage atop her dryer. When my husband had gone to college and our new baby and I couldn’t, I lived in my in-law’s improved basement for several months. On moonlit nights, awake with the baby, I’d hear the poor guy make shivery sad little shrieks. It was all of Nature that was left to him.
Where we live now, there are old silver maples. At times, a great horned owl comes to hang out just beside my bedroom window. He shouts imprecations at another owl who is trespassing. I hear them having it out:
“Who ha.  Who ha. Who ha. Who WHO!”
Do you remember, after all that back story, the “One owl…two owls….” thing that started this?  The very night I’d seen the tee, “my” great horned came to sit in the tree and start his call and response duo with an owl in the oak on the next block.  I lay in bed, listening, hoping to find a key to that mysterious slogan.
Two hours later, I gave up. It has to be a very private joke, perhaps for real Ornithologists. The best I could do is this: For me, one owl “singing” reliably brings a Halloween shiver, but hearing two of them carrying on one of those Gary Larson “You and What Army?” conversations brings me an over-the-top moment of happiness. It’s such a gift to hear birds going about their business exactly as they have for a million years in the midst of an urban backyard.

Friday, February 10, 2012

JOY'S CROW



~~I've edited this a bit, because my dear old friend Joy never typed for a living, plus R.A. makes it hard on her fingers. Joy's Crow is a wonderful story, and just one of the many she could tell about "exotic" animals she's raised in her country home in western Massachusetts. Enjoy! ~~J. Waldron

Joy's Crow

This spring my daughter called asking me if i would like a baby crow to care for a crow. It's been here for several months now and has grown from a fat hand full of feathers and beak to a sleek teenager, heavy on the arm squawker. It stays at night in a dog crate cage, high up on the outside porch wall. It spends days on the porch. Tree branches are woven into spaces for perches. A large dog water bowl is the "pool."

It is a very messy bird. Probably not any worse than any other bird. I can now see the allure of a cute, small parakeet with tiny little droppings, small seed hulls floating around, sweet little chirps, 3 ounces of pretty feathers. NO! This is not like that. Massive amounts of food are consumed, dragged around, sampled spit out, begged for, rearranged dipped tipped rolled played with inspected, shook, dragged. No sweet little chirps, but hilarious dialogues of thrills, near human words, caws, chipples, purrs, murmurs, squaks, going on for five minutes, loud, medium, sometimes fot, energetic, slightly musical sometimes..
When it ws tiny, I let it perch on chairs, walk around the house, interact with our two dogs and the cat who initially showed great interest, especially Jack the Cat, until it began following him. Now pained they've all got "It's following me again" expressions.
"Make it stop! Why are you squatting there with your beak open? I do not understand and lately--hey! share that roast beef with me!" Yes, it's all about food.

When the crow first came I googled crows and got a raft of information. A fairly hardy bird. Crows live in clans. Each group has it's own language, are bright live in the wild for 12 or so years. They eat meat and veggies and lots of grasshoppers. They store food for later use and, unlike squirrels, they can find their stashes. Youngster stay in the group for two years, learning the tricks of survival.

Crow's not going anywhere--and is that a tuna on rye for lunch? He is also, according to our dogs, part of their pack.. He can browse undisturbed, but no other crow can grace the ground. Outsiders are chased off--sport and duty of dogs!

Okay. This is not my story, just the lead in.
The story takes place about two or three days after we started to let crow out. Now you have to understand that having this crow come into my life was as exciting to me as having a million dollars fall into my lap--perhaps more so. I would be so envious and excited if someone else had a crow and I didn't.
Anyway, I now have a teenager crow who for obvious reasons can't be a house pet, my husband being the obvious reason, and i do have to agree. Housekeeping is last on my list of thrills. I do not need further complications in my gradual descent toward becoming the kind of person the board of health busts.
So. I move the dog cage out to our porch, and with the door closed, have devised a much bigger cage of sorts decorated with branches,swings, plastic food cups. Enter our front door thru the chicken coop please. (Yes...sorry! Watch that bird poop!)

The crow can see us. He watches t.v., chats. I can hose off the porch,things are good, when I feed it. He does eat by himself now, but still is a baby and expects to be fed by mama crow till the end of the summer. When I feed it, I throw in a made up sound that goes like this: "walka walka." I'm thinking, crow, please associate this with food and treats, so when you are flying free, you will come back to me! This was just was a "crow" word that popped into my mind and it seems to work. It can be toned up, down, whispered , crooned, barked, put into crow songs. The crow seems to understand. My family, thankfully, just ignores me if I am crow talking. I am not asking them to do chores after all.

I know I have to let my baby outside. He has to learn to gather it's own food, fly higher than the stereo, meet the local crow population--which i have been feeding to attract--hoping our bird will be adopted into the clan, taught crow things, migrate, meet, mate, survive.

I am torn. This has been such a fun time for me--selfish--wanting to have it, yet knowing it's not an animal meant to be cooped up, yet knowing his chances of being hawk food or shot are greater than becoming 2 years old.

He finally is strong enough that I feel I can open the door. and let him go. I wait for my grandsons to share in the momentous day. I am welled up. We are ready. I say my goodbyes; we open the door. Crow leans to the open door, cocks his head, eyeballs the lawn, and goes back to playing with his toys. He wolfs down wet dog food, hops down for some floor crumbs, squats and opens his beak wide to be fed. I'll have that grape now... My grandson offers to throw him out. I say no, close the door. I'll try again tomorrow. Crow still needs me--one more day!


I do start leaving the door open and he finally goes outside, and the "walka walka" works! He comes back! I am ecstatic, but then find out he comes back every time the dogs go out, every time we go out, every time the cat sneaks out. Sometimes he comes back and messes up the porch just to get us to come out. He walks in the house behind the dogs. He visits us thru the windows when he sees us go from room to room. He greets the car when we come home, swooping 6 inches over our heads. He tells tall tales from tree branches. He comes to his perches on the porch and just yaks on and on thru the screen. He bathes daily in the dog dish, steals stuff out of my pockets. He adores Carl and hangs out with the grandkids, he screams at the postman for standing on his porch, eats my summering house plants on the deck, collects food and stuffs it in the log cracks for later. He shares his hard boiled eggs, sometimes with the dogs, sometimes running from them, squawking mine, mine, mine!..


Yes, it turns out he comes back to "Hey! Where are you? Wanna treat?" Turns out we are his clan.


Joy Gagliano

Sunday, February 5, 2012

CRONE MOON RISING

The moon protrudes from the night sky
like the jaundiced white of an eye
or a single breast of the Goddess
engorged
but cold and windowless
for Luna wanes
the dominion of the Crone
Impervious Athena
Who would approach that stony orb now
in search of nectar?


Mother, how shall I find You
swathed in Your red sari
crouched among the bodies
of demons You have slain
All-knowing, omniscient Lotus
my every action dangles like a curse from Your waist
From the river of Your ancient womb
will you feed me the elixir of Morpheus
for my memories are tainted with gasoline
and all I can smell is saffron burning

Friday, February 3, 2012

THE WOMEN OF THE HOUSE, How a Colonial She-Merchant Built a Mansion, a Fortune and a Dynasty.

Jean Zimmerman, Harcourt Books  ISBN 13: 978-0-15-101065

In 1695 twenty-two year old Margaret Hardenbroeck arrived in the colony of New Amsterdam. Margaret wasn’t anyone’s dependent, but a factor, a representative of her uncle’s trading firm, assigned to collect money from his customers and seek buyers for his merchandise. In Holland, women, even married ones, were legal persons, able to own property, draw contracts and testify in court. After the British took over, (renaming the busy port "New York,") this equality between the sexes disappeared. The Women of the House is a well-researched and vibrantly written history which follows the fortunes of Margaret and of her descendants, who are better known by her second husband’s name: Philipse. The section devoted to Margaret and to the uniquely Dutch customs of the 17th Century colony is particularly informative and lively. The three Philipse descendants who come after their dynamic founding mother are a far more conventional story. The last of these still formidable women, Mary Philipse, rejected the suit of a young George Washington in favor of a British officer. During the Revolution, the Philipses remained loyal to the Crown. In 1783 they fled, leaving their mansions and estates behind. A fascinating read, with extensive notes and bibliography.

First published by The Historical Novel Society 2007

--Juliet Waldron

Friday, January 27, 2012

Mozart's Mother




Before Mozart’s Birthday—January 27, 1756—six other siblings had been born to Leopold and Anna Maria Mozart. Their story is a sad one, but not uncommon for that time.  The Mozarts’ first child, a son, lived for six months. After that, each succeeding baby lived but a few weeks, going from Baptismal register to Register of Deaths in quick succession.  Today we can barely imagine this kind of outcome, or the fear that would grind out nearly every other thought by the time of delivery. The physical stress of poor nutrition and non-existent medical care would be as hard to endure as the grief when, one after another, newborn babies died.  Nannerl, Anna Maria’s  fourth child, was the first to survive infancy. (Born in 1751, she lived until 1829.) Two more infant mortalities later, Wolfgang, the seventh and final child, was born.
To his friend Jakob Lotter at Augsburg, Leopold wrote:
“…Moreover, I must inform you that on 27 January, at 8 p.m., my dear wife was delivered of a boy; but the placenta had to be removed. She was therefore astonishingly weak. Now, however (God be Praised) both child and mother are well. She sends her regards to you both. The boy is called Joannnes Chrisostomos Wolfgang Gottlieb.”
Mozart’s mother lived the home-bound, subservient  life of an 18th Century Frau. We don’t really know much about her, except that she seems to have had an earthy sense of humor (like her son) and that she adored her children. We can easily understand the physical state she was in by the time of Wolfgang’s delivery. Since her marriage, nine years before, she had carried seven pregnancies to term.
Leopold to Jakob Lotter:
“…I can assure you, I have so much to do that I sometimes do not know where my head is. Not, to be sure, because of composition, but because of the many pupils and the operas at court. And you know as well as I do that, when the wife is in childbed, there is always somebody turning up to rob you of time. Things like that cost money and time.”
Frankly, I’m glad that control freak Leopold couldn’t violate custom and keep Anna Maria’s visitors and well-wishers away. I think, by this time, she deserved a cheering section. Both of her children, Nannerl and Wolfgang, would prove to be musical prodigies. We treasure the music Wolfgang left us, but who knows what glories Nannerl would have created too, if only she’d been allowed to continue studying, traveling and performing like her brother.  

Sunday, January 22, 2012

Women’s Fashion Trends That Are Too Ugly to Die

By Barbara Yaga
When you’ve been around as long as I have, you’ve seen a lot of fashion trends come and go. You might not believe it to look at me now – what with my long, stringy gray hair, milky cataract-infused eyes and the obligatory wart on my nose – but at one time, I was quite the fashionista.

Granted, that “one time” hearkens back to the first Reagan administration, but my selective memory is still sharp enough to notice something: that the most hideous of women’s fashion trends for some reason keep coming back, like the arm reaching out of the grave at the end of “Carrie.”
An example: You youngsters out there probably don’t associate big, black-rimmed plastic glasses frames with anything but hipsterism. But when I was a kid, these were the exclusive eyewear of choice for science teachers and guys working the consoles in the NASA control room. Nobody cool wore horn rims: all the hip kids were wearing John Lennon wire frames and later, aviator glasses (another trend that’s made an “ironic” comeback amongst hipsters—and/or Chloe Sevigny).
I asked several fellow crones, huddled around the hearth in their thatch-roofed huts, what fashion trends of their youth they most regret, and the response was overwhelming. They mentioned many things: polyester pantsuits, flowing ties on women’s suits, harem pants, crop tops and anything made in a synthetic fabric known as Qiana, for starters. Luckily, these
once-happenin’ trends are long gone. But a few other trends that we repeatedly
remembered with regret are back in the fashion vanguard, if not the mainstream.
Such as:
High-waisted jeans. My daughter got the first three seasons of “Saturday Night Live” on DVD for Christmas, and I’ve been watching them with her. In my rosy memory of this show, I’d completely forgotten the first-season R-rated Muppets segment, some really awful home movies, and the horror that was high-waisted jeans, or high-waisted pants in general.
There are the female comic icons of their time -- Gilda Radner, Jane Curtin, Madeline Kahn, Candace Bergman – all wearing pants with the waistband hitting right around the top of the sternum.

The legs of these pants were wide and belled and, if made of denim, frequently “accessorized” with some malignant form of applique, such as flowers or Peter Max-type designs. (In case you don’t know, Peter Max was a ‘60s-‘70s pop art designer whose work looked like what would happen if My Little Pony ingested too many rainbows, then puked all over the Lucky Charms
Leprechaun.)

The high-waisted look of the late ‘70s is not to be confused with that truly hideous trend of a decade later: baggy, high-waisted jeans which tapered to the ankle, a design tactic that made the wearer look like one of the popular icons of the time—no, not Madonna, but William “The Refrigerator” Perry. (Full disclosure: I had a purple pair.)
And yet, like all monsters, just when you think they’re dead, some dumbass resuscitates them for a sequel. Yes, high-waisted, big-legged jeans are back. As are...
Shoulder pads. Oh, how we laughed at the 1940s-era pictures of our mothers, with their big frizzed hair, clown-red lipstick and shoulder pads. Just take a peek at any Joan Crawford
movie from the times and you can guess why Mommy Dearest despised wire hangers (they probably got caught on the massive shoulder pads).

For some reason we stopped laughing in the mid-‘80s, when once again, big, frizzed hair, red lipstick and shoulder pads made a comeback (just watch any John Hughes movie for a hot, heaping helping of this particular mess).
And another fashion trend from the past that's back:
The “Little House on the Prairie” look. Back in the ‘70s and ‘80s, girls going to prom
and brides had two choices in formalwear: they could look like disco divas or Victorian schoolmarms, with very little variance in between. By far the biggest purveyor of the latter look was dress designer Jessica McClintock, first with her Gunne Sax line in the ‘70s and later with her eponymous line of higher-end duds.
Kids today who hear “Victorian” in connection to women’s clothes are probably thinking, “Cool! Steampunk!” But these outfits were actually a kind of anti-steampunk. There was nothing goth, black or sinister about them. They were ruffly, lacy, and white or pastel or floral printed. There was no cleavage, no plunging backlines, nothing to suggest sexuality in any form.
Instead of strapping on a pair of goggles and flying a steam-engine-powered dirigible to rescue William McKinley, the gals who wore these dresses looked like they were about to get tied to some railroad tracks.

Jessica McClintock is still around. According to the corporate website, Jessica designed the dresses with “skills she learned from her grandmother.” (Gee, I'm shocked.)
Her current designs for bridal and formalwear don’t look any different than anything you’d see at JCPenney.com – the obligatory strapless satin look. But back in the day, every self-respecting Sister Goldenhair was sporting one of these numbers for formal dressup.
And yet the prairie look is back, at least for the cutting-edge vintage crowd. Hip-ass Etsy lists more than 1,500 Gunne Sax dresses for sale, now categorized as “vintage” and available for a whole new generation to wear to prom, ironically or not.

Friday, January 13, 2012

Contraception: Civil War Style

In the decades before the Civil War, there was no organized movement to advocate or control contraception. Freethinking printers and publishers began spreading the word about reproductive choices. Fruits of Philosophy by Charles Knowlton was copyrighted in 1831 and originally printed anonymously. The advanced scientific writing on women's anatomy and reproduction was an innovative work. His response to moralists was that "Mankind will not abstain." In December 1832, Knowlton was arrested for obscenity.

Fruits of Philosophy went through many editions and by the 1850s was found in nearly every section of the country. Although some of the science was incorrect by today's knowledge, Knowlton was a visionary, predicting overpopulation problems and suggesting that women take control of their reproductive health.

Until Margaret Sanger coined the words "birth control" in 1914, there was no standard term for family planning. In the nineteenth century, metaphors such as "limitation of offspring," "preventatives," and "regulators" were used. Devices and methods had an equal number of euphemisms, including "womb veils," "wife's protector," and "female preventatives."

Coitus interruptus or "withdrawal" was commonly used in Victorian America. In 1831, Robert Dale Owen published Moral Physiology. He publicized the technique with his pamphlet, writing candidly and without many of the euphemisms characteristic of the era. Douching was another common method, both as a contraceptive and as an abortion technique. By mid-century, "prevention powders" and expensive bottles of "toilet vinegars" were sold commercially.

In the 1840s, the rhythm method was introduced. Unfortunately for many women, the most common advised time of coitus in the 1850s through the 1870s was right at the time when they were most likely to conceive. In 1839, Charles Goodyear invented the vulcanization of rubber which gave rise to the manufacture of condoms, intrauterine devices, douching syringes, diaphragms, and cervical caps. Before this time, condoms were made from animal membranes and had been associated with the stigma of being a preventative for syphilis in the brothels. Due to improved technology and lower costs, rubber condoms came into widespread use during the 1850s.

Womb veils were cervical caps or diaphragms. By the 1860s, these contraceptive pessaries were advertised under a variety of names, including "French shields" and "womb guards." Secrecy and non-interference with sexual pleasure were promoted with their use. Why secrecy? Not all men were reliable with coitus interruptus or in wearing a condom. As well as that, some men were unsympathetic to a woman having reproductive control.

Contraceptive sponges were mentioned in the advice literature as early as the late 1700s. Opinions varied as to a sponge's reliability, but they became commercially available by the mid-nineteenth century. Druggists sold wide varieties or a woman could buy a sponge of the correct size and attach a silk thread to make her own.

As in modern times, abortion was a controversial subject during the nineteenth century. While the exact abortion rate is impossible to calculate, historians agree that the number escalated from one abortion in every twenty-five or thirty live births to one for every five or six births in the 1850s and 1860s. The law as to when a fetus became a full-fledged person has been argued over for centuries. Antebellum Americans adopted the medieval common law from Thomas Aquinas that the soul entered the fetus at the time of quickening or with the first movements.

Originally, lawmakers believed that abortion was mainly utilized by unmarried women to avoid disgrace. But by the late 1830s and early 1840s, abortifacients became a commercial business. "Regulators" or "preventative powders" came in the form of pills or fluid extracts for a woman to induce an abortion in the privacy of her home. Along with drugs, abortion instruments were readily available through mail order and drug stores. "Female physicians" cropped up in urban areas with Madame Restell among the most famous, running a mail-order business and abortion service from the 1830s through the 1870s.

During the Civil War, women were forced into many nontraditional roles. Yet little notice has been given to reproductive control during the era. Contraceptive knowledge became public before the war, and with a growing awareness of science and choice, demand came about for better methods that paved the way for modern birth control.

Bibliography

Brodie, Janet Farrell,Contraception and Abortion in Nineteenth-Century America. Ithaca:Cornell University Press, 1994.

Grossberg, Michael, Governing the Hearth: Law and the Family in Nineteenth-Century America. Chapel Hill: The University of North Carolina Press, 1985.

Knowlton, Charles, Fruits of Philosophy: An Essay on the Population Question, 3rd new ed., with notes. 1878 reprint ed. New York: Arno Press and the New York Times, 1972.

Tone, Andrea, ed., Controlling Reproduction: An American History. Wilmington,Delaware: SR Books, 1997.

Tone, Andrea, Devices and Desires: A History of Contraceptives in America. New York:Hill and Wang, 2001.

-----
Kim Murphy
www.KimMurphy.Net

Wednesday, January 11, 2012

How I Met Alexander Hamilton


For his birthday, our least appreciated member of the American Trinity:
Washington, Jefferson -- and Alexander Hamilton, the "bastard brat" who didn't start life
owning a plantation.
Hamilton was the man who miraculously managed to pay off a crippling war time deficit budget,
encouraged the introduction of new, innovative industries, and figured out how to run a brand
new radical social experiment on a shoestring by minimally taxing--gasp--the rich!

 (Where are your inheritors now?)


 
In a dim '50's bookshop,
where a huge, bad-tempered charcoal
cat with yellow eyes glared in the sepia shadow
of a fly specked window,
I found you.

A worn olive drab
with a bold gold title
on antique spine, the date, 1902.
Mother must have bought you,
because the cost was a whole $2.

There was a black and white
reproduction of
a painting by Trumbell,
and there you were!

You—ecstatic, thin, red head thrown back,
face shining, 1776 on fire!
No wonder your new friends,
fellow aides-de-camp to the great
George Washington, nicknamed
you “The Little Lion.”

Accustomed to escape like this,
I read and read, oddly compelled to
struggle through a dense jungle
of Edwardian prose,
the work of a once lauded,
but now forgotten
Lady Novelist.

Oh, but how well she knew you!
Baby-faced orphan who withstood the scorn
of a world where you were “baseborn,”
who held on somehow,
to your God Inside.

Friday, December 30, 2011

Crone-Pilgrims



We are all pilgrims
Nomads travelling through time and space
Grey-green, earth-green, shadow-green






People, loved, hated
Arriving, connecting, departing
Moving on, over, through
Canyons, crossings, tunnels






Nomads travelling through time and space
Morning-green, transition-green, twilight-green






Blink of eye, glance of question
Nod of head, whisper of words
Contexts transfigured
Exchanging possibilities






Nomads travelling through time and space
Marginal-green, vast-green, distant-green







Clouds drift. Sky remains.
Landscapes alter. Earth remains.
Emotions - thoughts - moods. All shift.
What remains?

Friday, December 23, 2011

“Frigga’s Blanket”

by Lari Jo Walker

Lucy always had a story ready. This particular day I had been running errands in the madness of a December afternoon. Just before I left the third store, I smelled cinnamon. How I recognized it among the odorous potpourris that stunk up the shop, I will never know. But it was a moment of grace. I beat a path to her door, and Lucy had the tea in the pot before I sat down.

When we were settled, she began.

Try to see this in your mind: a forest in the north, a winter with dim light, and a small log house amid the trees. A cart path passes by the front door, only feet from its wood planks and iron latch. A small window of thick, frosted glass set into the upper half of the door emits a soft glow.

The glass darkens for a moment and the door opens . A tall, beautiful woman, with hair so white it nearly flashes in the dim light under the trees , steps out of the door with a blanket in her hands. As she unfolds it, the deep blue –black fabric sparkles in places. Then she shakes it out into the night air, and a light, soft snow begins to fall. Fluffy wisps of silver drift slowly to the forest floor, and the woman looks into the darkness – right at us! – and smiles. She is gone into the house so quickly we barely catch the closing of the door.

In minutes we hear the soft thuds of a horse’s hooves on the path. The blanket of fir needles makes the sound nearly inaudible, so we feel their vibration more than anything. As it nears we see a small cart being pulled by a small mare. A man is steering the cart, and from behind him we hear the moans of a woman. She is clearly in great pain, and the agitation of the man is evident by the way he jerks on the reins to stop the cart just outside the cottage. Immediately, the door opens, as if the woman inside had been waiting for the inhabitants of the cart.

Strangely, the woman steps to the front of the cart and speaks to the mare in a low murmur. The horse nods and shakes its head, and the man interrupts the moment.

“Hello, umm, can I speak to you, woman?”

“You may,” the white-haired lady answers. We can tell from her tone she enjoyed conversation with the horse far more than she will with the horse’s master.

“My wife is in the cart. She says she has started the birthing pains – though our doctor said the baby would not come for a week or two more. I only brought her with me on my travels today because she wanted to come along. She never goes with me to the far village. Today is the first time.” His voice trailed off as he came to the end of an explanation that had not been requested.

“Young man, your senseless babble annoys me. You think more of excuses than the discomfort of your dear woman. Help her down from the cart and I will take her inside. You can stay in the stable tonight, as there is no room for you at this inn.”

The man’s startled face brought a soft chuckle from the older woman.

“The barn is clean and without drafts. I hope you have been kind to your pony. If not, you may have a tough time of it tonight. Meeting your daughter in the morning should put you right again.”

With that the two women stepped over the threshold and the door closed again on the cart, the man, a smug little horse, and the falling snow. This time we follow the women into the warmth of a cozy room. The door has just latched into place when the young woman throws her arms around the older woman’s neck.

“Oh, Frigga, it was just as mother told me. On the way back through the woods, just as the snow began to fall, we saw your cabin. It is such a blessing to come here for the birthing of our child.”

“You are welcome here, daughter Mara. How is your mother? I haven’t seen her since two summers past. She came for the woman’s- change tea. Is she well?”

“She was here? I didn’t know of that. Yes, she is very energetic and strong – and I think quite beautiful, though she ages. She…” Mara stopped abruptly as her breath quickened, and her hands flew to the large mound that was her waist.

Frigga made a circle in the air around the younger woman’s belly, and Mara’s body relaxed.

“Let’s get you settled on the couch. Then we will talk. For now, rest and center your mind, Mara. Balance your breathing between the inhale and exhale, and count to four – in and out.”

Mara’s eyes closed, and Frigga moved quickly but smoothly through preparations she had made so many times she could not count them. When steaming water, towels, oils, and pillows had been arranged neatly around the room, she lifted a white candle from a carved wooden box sitting by the window on the north wall of the room. She placed it in a holder at the head of the soft bed to the right of the fireplace. She lit it just as Mara’s eyes opened.

“Mother is well, Frigga. I will tell her you asked about her. “ Then she blushed a bright pink and asked, “Frigga, you were unkind to my husband. Why? He is a good man, who…”

Frigga turned to face her, “Mara, I see that you are healthy and contented. That is all your man means to me, the protection and sustenance of your life and your daughter’s. Beyond that I have no use for men’s ways. They are childish, stubborn brutes more often than not. And they are so small-minded and jealous of the woman’s power to bear life from her womb, they make saints of virgins and whores of women. “

“But Frigga, they worship the Mother Mary. They treat women with respect!”

“Mara, jealous men fear the independence of an adult woman so much that they will cast her into the darkness, at best. Stone her, more often. Mother Mary was a virgin in their crazy story. I’m sorry, Mara. Your husband pleases you, and so he is a good man, to you. Let’s not speak of this again.”

Time passed while Mara labored and Frigga sat spinning at her wheel. The sound of the thread running through her fingers soothed Mara’s mind, and the quiet between the women was peaceful and contented. Finally, Mara’s pains came more quickly, and Frigga helped her to a chair made for birthing. After great pain, spilled blood and water, and the holy sharing of two women with one purpose, Mara delivered a sweet girl with downy golden hair.

Cleaned, gowned, and tucked into bed, Mara sat with her baby at her breast, and her husband was given a seat close by the new mother. He gasped at the smallness of his daughter, and smiled at her when she puckered her perfect rose-bud lips and rooted at her mother’s breast. When they had counted all fingers and toes, hugged and kissed three times, Frigga sent the new father back to his bed of straw. She swaddled the baby next to Mara and told them both to sleep.

Frigga made her final preparations for the new family. Herbs and ointments were packed carefully in a red leather bag. Two small, very soft blankets, and a set of towels and washcloths joined the medicines. Finally, the white candle , that had burnt only halfway down through the long night, was wrapped in a piece of red felt and tucked lovingly in the tote after Frigga whispered to the burnt end of the taper. “Take the Great Mother’s power and love with you to their home. And if some day they light you again, fill the house with Her almighty blessing and send word of their needs to me.”

Hot tea, soft-boiled eggs, and a sweet bread were ready when Mara, her husband, and Frigga sat down in the morning’s first light. The new father was quiet and nearly blushing as he faced the two women across from him. His wife was now the repository of an ancient strength and wisdom – the ability to bear and raise a child. The old woman knew every action of his body and every desire in his heart.

“It is good that your desire is for the nurturance and protection of your child and her mother. They have already started the change in you that will make you truly a man. I see you are confused. Your work did not end with your daughter’s making. It is only beginning today. Your wife believes in you, so you will succeed in becoming a good man.”

Frigga turned from the husband, giving him not another thought. “Mara, you have entered the life of the Mother today. You will find that the quick step and light laughter of the Maiden have lost their joy for you. Far greater knowledge, far deeper love, far more beautiful gifts will grow in you day-by-day. Remember the Maiden fondly, live the Mother bravely. We will meet again on the wheel. I will say your name and your daughter’s to the Great Mother daily, Mara. Remember me in your prayers as well.”

Lucy’s voice seemed to rise until it reached me in the depths of a winter forest.

Mara and Frigga prayed for each other daily. Mara grew wiser and more beautiful. Her husband became prosperous and cared for his family very well. The little girl became a maiden and then a wife. The day would come when she would take the drive to the far town and stop at Frigga’s door.

And Frigga would never change. That is the way of a goddess. No longer young but happy in the grace of Cronehood , Frigga chose the appearance of a grand-mother. It was the perfect form for her role in the lives of young mothers. Her assurance and quiet strength were the bulwark that generations of women leaned on as they stepped across the threshold into the second phase of their lives. And Frigga was there for the women who rode into that forest. The men and even the babies were not her priority, not even her concern beyond their basic health.

Frigga’s mellow face, soft hands, and quiet voice were a gift to women. Their hearts, their fears, the shadows that slipped through their minds were hers to give voice to and to heal. The life of a mother is one of sacrifice. Whether her child laughs or cries, it is far more important to her than her own emotional state. When her child is sick or hungry, she tends it and feeds it before giving in to her own discomfort. And in this extreme focus of her attention, a mother sometimes feels herself terribly alone. She forgets that she is loved, and that help is there if she asks. She takes the weight and gravity of a lonely planet – a world that exists just for her son or daughter.

Frigga’s name reminds her of a warm cottage in a dark forest where a woman rules the world. She is a woman whose universe turns for her – a mother. And the constellations in Frigga’s blanket are the stars of maids, mothers, and crones who know the holy secrets of womankind.

Lucy’s smile brought me back to the present. As I stepped out of the swirl of snow and pine trees, Lucy winked and said, “We must heat up the pot, your tea has gone cold!”

So we did.

Wednesday, December 21, 2011

A Christmas Past








I was born at the end of the baby bust, so when I was little, for a time, kids were something special, and my cousin and I were no exceptions. We lived in a pleasant Ohio town which boasted a fine small college, home to our families since before the Depression. Mike’s parents lived just 4 blocks from us, "uptown," while we lived down by the creek, on Old Cemetery Street. His parents owned a Cadillac, even if it was a hand-me-down one from my Uncle’s parents, who were sufficiently well-to-do to buy a new car every two years. They liked to “do things up right.”  At Christmas, this meant engaging a Santa Claus who would visit their son and me.

Now, I’ve heard more about this Santa since I’ve been grown, but when I was a kid, I actually suspected he just might be the real deal. For one thing, I was quite small the first time I saw him, no more than four.

The night before Christmas I was getting the whole “you better watch out, you better not cry,” bit from my parents. There were canned peas for dinner, and I remember forcing those rubbery pills down, focusing on the Christmas cards hung up on butcher’s twine beneath the cabinets so as not to gag.

In those days, children went to bed before their parents—long before. Right after dinner, there was a story, a wash-up, and then straight to bed. Tonight, however, right in the middle of the story, I heard sleigh bells.

My parents wondered aloud who it could be? I wanted to go see, but was told to sit still. Daddy would open the door.

When he did, in came the most perfect Miracle on
34th Street
kind of Santa.  He was chubby and had a long white beard—a real one--a round, red-cheeked face, and a marvelous red suit and black patent leather belt and boots. He was even carrying a sack. My father was grinning in a way I had learned meant I was being snookered, so after I croaked out a “Hello, Santa,” I asked about his reindeer.

“Oh, they’re up on the roof—and you don’t have a proper chimney, so I knocked on the door.”

Well, this seemed reasonable, because I knew our chimney ended up in the coal furnace in the cellar, obviously not a good place for Santa to land. From somewhere outside, I could hear sleigh bells, just every once in a while, as if the reindeer were tossing their heads.

Suspicion somewhat allayed, I watched him take the seat my mother offered.  Dad picked me up and put me down on Santa’s knee. Santa was authentically cold all over, his clothes, his face, his beard, and he had a good vibe, smelling pleasantly, like men often did in those days, of whiskey. He was a polite, low-key Santa. His “ho-ho-ho's” were like someone chuckling about a private joke.

He asked me what I wanted most for Christmas, so I told him, about the “drink-wet” baby doll and the teddy bear. Outside the door, sleigh bells softly jingled. It was pretty amazing, there in the light of our Christmas tree, with bright packages piled beneath. What was even more amazing, after a little digging around, he fished the very "drink-wet" baby I'd been wanting out of his sack and gave it to me.

After I'd thanked him--and I really was surprised at getting the dolly--he said “Merry Christmas, Judy Lee,” and said he’d be back later, because he had to go and get the rest of the presents.

As he left, there was a blast of cold and the sound of departing bells. Again I wanted to peep out the window, but my Dad caught my hand and asked, “Hey, JL. What did you think of that?”

“Was that really Santa?”

He and my mother looked at each other and tried not to smile.

I was left to ponder, even though “Seeing is believing.”

Although my Santa had been nice, jolly and bearded--convincing in many ways--I hadn’t seen him fly away. Besides, I really wanted to see his reindeer and pet them, and it was pretty clear that I wasn’t supposed to go out or to watch while he departed. Mike was even younger than I, so about all I learned from him was that he too had had a visit from “Santa.” I decided this man might or might not be Santa, but it wouldn’t hurt to act as if he was.

Saturday, December 17, 2011

Inventing George Washington





 From time to time I'll be posting book reviews. 
This review was first published in the Historical Novel Society magazine early 2011.

Thought it might be time for this one, as I've learned that one of our over-privileged media blow-hards has recently added another book to the "inventions" column on the subject of George Washington--our famous citizen/general who would NOT be King. If you happen to read that one, this book should be taken immediately as an antidote.


INVENTING GEORGE WASHINGTON
by  Edward C. Lengel
 HarperCollins, $ 17.15, 2011, 272 pp,
ISBN 978-0-06-166258-4


George Washington, hailed by a modern biographer as “indispensible,” was once a man, but he has become a kind of inkblot, a projection of the times in which we live, a projection of the causes dear to our hearts. This book, written by the editor-in-chief of The Washington Papers project, has grown from the author's professional life of study of this subject. 

When Washington died, in 1799, Americans felt as if they’d lost a father. His death deprived the country of the grand old man a mere decade after the Founding of the Republic, at a time when both political divisions and external threats were running high.  After all, he’d been our first president, our greatest general, and a public person for much of his life. By the turn of the 19th century, a fantastic image had already begun to separate from the real, human Washington, and his early death certtainly accelerated the process.

With a razor wit and a wealth of source at his fingertips, Mr. Lengel dissects the growth and proliferation of every Washington story you ever heard--and some you might not have--from the holy treacle dispensed by “Parson” Weems to the accusations of angry revisionists and the outright fabrications of tea party politicians. Creating a multiplicity of Washingtons, as Americans attempt to find the person behind the symbol, continues to be both a profitable and politically useful enterprise.


--Juliet Waldron  



Saturday, December 3, 2011

To A Modern Thoth







Backstory:
Here's a poem about a skill many of us learned after college, when it became clear that a degree in English wasn't going to get us much of anywhere. As I studied and pondered the role of "secretary," I imagined myself into an ancient temple, dedicated to the very first scribe--the God Thoth.

With a stenographic pad in my arms, I attended technical college, and hoped for an occasional view out of a corner office window, dressed in a Brooks Brothers suit, legs displayed in stockings and heels. Now, instead of a clever college girl, I  re-purposed to become a pink collar worker, the sort that was sufficiently well-educated to be able to appreciate at His Lordship's Ivy League jokes.  

(Thought I'd put this in Courier, just for old times' sake.) 

Walking in the dim cloisters
Of shorthand,
Chanting the hieroglyphs
We are Tech School acolytes.

You see us in the halls
Gregg in our arms like
A purple badge of courage.
Speed is our Revelation,
Schooled by a secretarial Diana
Who strikes our errors
Like the Moon.

You need love to conquer shorthand.
To achieve it,
You must live like a nun--
No late nights or serious boyfriends,
Just early mornings with your Dictaphone,
Hand and head
Battle
While you chase the speaker
Down storm sewers of aural memory.
Solitary you prepare
For that Gauntlet of Scribes--
That ticket to the office executive--
The five minute take.