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Old women talk about old things: history, myth, magic and their
checkered pasts, about what changes and what does not.
Showing posts with label Goddess. Show all posts
Showing posts with label Goddess. Show all posts

Tuesday, January 14, 2020

She Is




There is a real world; 
there is a magical world, too. 
Sometimes we forget the magical one, 
struggling too hard 
in the painful, dirty, bloody real one.  
But the magic is here, and 
She is here, too, 
Our Nightmare Mistress, Life in Death.

www.hannahboeving.com
artist

Sometimes she reaches down and touches,
Be still and sense 
just the slightest grace.  
The gold of autumn against blue sky, 
spring green -- poignant, aching. 
                           Heavy languid summer,                          
leaves, bliss in whisper of air.
White frozen lake of winter, 
crystal glitter bubbles riming the edge
so the fallen fool can contemplate 
the looking glass, gazing into glacier.

In each season 
She whispers a syllable in the ear, 
sprouts a mushroom, 
sings a bird ,
offers a single, starburst wildflower, 
tosses a stone from nowhere 
to ripple the pond.  
That's a
life worth living.  



The ghosts I've seen 
near bodies dancing,
 heart's pumping blood spilled
on sandy shores.

I've blessed you, chorusing cicada, 
geese exulting through a torn sky.
Moonlight, starlight, 
wind and rain and stinging snow. 
I've seen the Aten,
 clamoring hands reaching 
from below the horizon,
my eyes 
swimming in seawater,
heard souls at the gate 
of that incandescent chantry...





Juliet Waldron


See all my historical novels @

Saturday, February 22, 2014

LION'S DAUGHTER-Novel Excerpt, by Juliet Waldron


 
 
 
 
Kuhre fingered the binding of the knot. It was her collar, constant reminder that she belonged to Sekmeht.

              There were ways the knots, complex though they were, could be untied, but there was little chance of such a thing, little profit in untying. She never imagined it, never even dreamed of it.

              The collar, the knots, were crafted in finely braided red flax. This collar contained a high magic. Kuhre knew that only a priestess could remove it. If she herself discarded it, the goddess would find her--in the day, in the night--in the Red Land, or the Black--and eat her, liver first, as lions customarily did.

              Jaws dripping silver in the moonlight, a crocodile yawned. Kuhre could smell creature, the dangerous muddy reek on the faint breeze which floated across the water. She imagined her churning the brown Nile with her great tail, a cloud of blood welling in the shallows. She had seen this once, another child--her older brother--playing too close to the shore, taken, right before her eyes. The great creature had popped from the element of water onto the shore, and then was gone. The instant of flying mud and failing limbs had left behind only a shriek, his last cry hanging like a stricken bird in the buzzing, superheated air. How here parents had grieved, shaving their eyebrows! Kuhre had wept, too, although she'd felt more shock than grief for the brother, the child her parents most favored. Soon after, in the famine time, her parents had delivered Kuhre up to the temple and left her there, not seeming to care if she would serve there, or be sold as a slave in Canopus.

              That long ago afternoon had left Kuhre with a terrified fascination for the armored one, these children of Sobek, Lord of the Dark Water.   She had learned the safest time to watch them in the papyrus swamp below the temple was at night, when they were sleepy and cold, but the death she’d witnessed had taught a her a lesson, about how Death walked always at your side. Death could come and seize you in her black jaws in an eye blink. Laughter could, in an instant, become a scream, and you would be no more. Devoured, body gone, your Ka would be lost, doomed to wander forever in the realms of utter night.

              Kuhre knew she was in little danger here, atop the flat sanctuary wall, lying on her belly, a white linen shawl wrapped around her against the chill, gazing down at the lush scene --the lazy curve of the backwater--the papyrus, the low spreading pads of the lotus, their flowers closed tight like sleeping eyes, the tall palms outlined against the sable arch of Nut, her star children sparkling upon her curved belly.  It was night, the great blinding heat of Ra behind--and ahead.  Kuhre knew that as servant here, she had no father, no mother, no past, no future, only the Goddess whom she had been brought to serve seven inundations past.

              Ah, the Goddess! If any of her lamps went out, old Kennet would have her hide! Thinking of that, Kuhre finally arose. After first stretching her slim brown body against the velvet sky, she dropped down onto the other side of the still warm brick wall, into the holy precinct's well-watered garden.              

              She loved her ferocious Goddess. She enjoyed most of her simple tasks, keeping the holy rooms swept clean, and the altars dressed with flowers, although she did not particularly love washing the piss of the sacred cats from the feet of statues and the tall papyrus inspired columns. She loved dancing and singing for Sekmeht, shaking the sistrum, performing with the other girls beneath those cat eyes of palest gold, while the priests and priestesses chanted or sang the hymns that praised her. In the night, led within the darkest holiest place, the small temple within a temple, she had once been allowed to look upon the smallest and most perfect golden statue of Sekmeht, the light forever shining upon her, the ureaus crown gracing her lion’s head.  

              Carefully padding through the garden, reed sandals squeaking softly as she went, she tugged her shawl close with a shiver. She had stayed longer atop the wall than she had intended, watching death lolling, Sobek’s children spilling silver water from from her scales. 

              In the garden perfumes lingered. The smell of green, of flowers and trees was pronounced in the dry night air, now flowing into the valley from the desert. There were other smells, too. The strong smells of the sacred lions and leopards who regularly marked certain parts of the garden. They were loose in this place, but Kuhre was not afraid of them. They belonged to Sekmeht, and she belonged to Sekmeht, so there was nothing to fear. They had their moments, when they were cubbing or breeding, when it was not so safe to walk among them, but she was never afraid, never had been, even when she’d first arrived here as a child.

              Perhaps she should have been as afraid of the sacred lioness as she was of the crocs. She had, after all, seen two lions eat a man once, and in the same way that cats eat mice. A pounce, a bite, then the screams, the limping attempt at flight, the blood. Another ambush, more screams, then an encouraging slap of a great paw, suggesting escape, followed by another pounce, another broken limb, and so on, until the man’s spine broke, and the game ceased to be interesting. This was how Kuhre knew that lions liked to eat prey belly first, tearing out the soft parts, ignoring the dying gurgles, the useless, flapping hands.  She’d sat on the wall and watched, with a mixture of disgust and fascination, along with other temple servants.

              Still, she knew the big cats who lived here were not, as a rule, dangerous. Like her brother, the victim had been at the wrong place at the wrong time. That man had been more than heedless; he had been a criminal. The young man was a gentleman from another city, but he was of Egypt, and should have known better. He and his companions had entered the sacred precincts without devotion. Perhaps drunk, they had teased the lions in the garden, and then run.  It was just at sundown when this blasphemy occurred; the cats were hungry.    

              No one interferred, except that the priests came out and drove his impious friends back with whips and staves, prevented them from offering aid.  It was clear they had treated the lionesses, (and therefore, the Goddess) with great disrespect. Such flouting of the proper order of things must never be tolerated.  The rest of this group, the ones caught by the priests, had gone to the Natrum mines in the desert.  Perhaps the leader, the one eaten by the lions, had been given the softer punishment.

              So Kuhre walked on, taking the quickest way back to the temple. The moon was old, but still sufficiently gibbous to give good light for her human eyes. She saw the lionesses’ eyes glowing, as they watched her cross the garden, but she did not fear, for she knew they had been well-fed at dusk.  On every side, fountains tinkled and night-fallen dew dappled across the leaves. Above, a vast host of trembling stars spangled the night with white, blue and red... 

               

 
 
 
Juliet Waldron
 
Historical Novels told with Passion and Grit
 
To learn more about the Goddess today~~
 
 
 

Wednesday, October 30, 2013

Lights to Welcome Lakshmi



On November 3rd of this year, the Hindu festival of Diwali will begin. The 3rd day of Diwali is devoted to the Goddess Lakshmi. She is the supreme Mother of Earth and the wife of Vishnu who is God’s aspect of continuity (of the three persons of God, Vishnu is the one who maintains our world).
Lakshmi rose from the ocean when the gods stirred its depths using a mountain spun by pulling on a snake wrapped around its base. Appearing from the foam, she was standing in the cup of a lotus and holding one in her hand. The most beautiful of all the goddesses, she is golden-skinned, dark haired and wears a red sari and a crown. 


           Lakshmi is the intercessor for prayers to Vishnu. She is the heart of the god, and all things happen through her. The embodiment of love, she is the force that moves through all being. She brings material fortune, spiritual fulfillment, and fertility. She is Mother Earth and provides everything in it. It is as if Vishnu is an intention while Lakshmi is the power that fulfills his desire. 
           The red of Lakshmi's sari is an aspect of femininity. It is the color of the heart's river, pulsing through all creatures. Red is also the color of success in ancient cultures. Red's warmth and fire link it to the power of the Sun - the life force of the universe. Lakshmi is wearing the red of life, love, and light.
           One of this goddess's many names is Padma, the Sanskrit for the lotus flower. This is a symbol of transformation. Growing from the pond or river's bottom, the plant sends a stem shooting up into the sunlight, and crowns it with a bowl of soft petals.The flower represents the soul's release from the earth's attachments. Lakshmi is the purity  and release of life from the darkness of decay; she holds the gift of enlightenment.
            Her iconography is reminiscent of Venus. Arising from the waves as splendid women is certainly appropriate, since their births are surrounded by the waters of Earth’s womb. Lakshmi and Venus are born as adult women, fully matured and ready to bring life to the world. As an expression of ultimate beauty, they assure us that men will surrender their hearts and increase their fertility with their ardor.
A woman’s power is not oppressive, but to suggest that the godess is not as powerful as a god is to miss the point. Her skills are nurturance, providence and intercession, but nothing is possible without her cooperation. Vishnu is impotent if Lakshmi does not provide a conduit for his life force. And this form of creativity is spiritual as much or more than it is physical. If we are tempted to view a woman’s role as the power behind a ruler’s throne, we are buying into an illusion. The true source of power is hers. The fact that a man can sit in a glorious place of authority is only because the goddess has created the room, made the chair, and invited the god to have a seat! And if she is not out front, it may be that she has no need for the adulation. Content with her place and the manifestation of all of life as a gift from her being, she can find her joy in Nature and the people she births and blesses. Why sit on a throne when she can float above it on a flower?
           During her festival day in India, all houses are made scrupulously clean for purity is her abode. Lamps are lit all around the outside of the house, small lamps shine in the  windows and halls; they beckon Lakshmi from her home in the heavens. When she visits, she brings good fortune and golden coins to her worshippers.
Knowing of Lakshmi’s holy day, some of my own traditions of fall now remind me of her festival. That extra deep cleaning is done before the cold settles in and the windows are sealed for the winter. Candles decorate the mantle and table, and warm-weather comfort foods are on the menu again. Comforters , sweaters and flannel shirts reappear from the back of the closet.  And as I put my gardens to bed for the winter, I trim the dead stems so that the plant’s life force will be concentrated and unspent during the dark days to come. In my way, I am worshipping Lakshmi and preparing to ask her to bless and sustain the world.
On November 6, I will light my candles and put lanterns outside both doors. A new tradition will begin for me this year – welcoming Lakshmi to my home.

** The beliefs of different cultures and their female deities has become a source of inspiration to me. It is my own voyage of discovery, so this article is one of personal interpretation. My principal sources are:
             “Diwali” on Wikipedia. 
Diwali  - the festival of  lights. Society for the Confluence of Festivals in India,  www.diwalifestival.org
  Patricia Monaghan’s The New Book of Goddesses and Heroines, 3rd ed. 2000.Print.





Saturday, September 21, 2013

By the Light of the Silvery Moon



On June 23rd of 2013, what has now come to be known as a Supermoon shed a path of light across the ocean to Rehoboth Beach. I stood in the warm sand and gazed at the largeness and brightness of the full moon in perigee – its closest distance from the Earth for the year. Groups of people lined the beach, and the majority of the people faced the moon. The murmur of voices reminded me of the happy sounds at a fireworks show. Many people knew it was a Supermoon, I heard them telling each other on their way out to the shoreline. Many didn’t know what it meant, but it was a cultural phenomenon that evening. And I loved it. The softer light reflected from our superstar had drawn the people into Her spotlight for that moment. 
This is how the Moon has started to speak to me. She is a force for good in our universe. Some would say she is as powerful as the Sun. She provides motion and stability to the Earth. Her tides may have helped life to begin.
The activities of mankind are still marked by the Moon’s months and aspects. Many religions, including Christianity, rely on the timing of the moon for festivals and Holy days. And this attention to her presence in our lives is growing. 
Perhaps it is the result of our concern for Earth’s ecology that is making us more sensitive to the elemental forces in our lives. Maybe our trips there have turned the Moon into another distant country. Or the speed and intensity of a modern, digital world have awakened a longing for more tranquil and soothing moments in our lives. An increased awareness of our need for the Divine Feminine is turning us to Luna – the Goddess of the skies. Whatever the reason, I see this new focus as a desire to be nurtured – this willingness to smile at the Moon.
When I went home that evening, I opened all the blinds and bathed by moonlight. I slept in her silver rays all night. I wanted to soak up that soft brilliance and follow Her dreams into eternity, to live by the light of the Moon. I wanted to hear the stories of her beneficence, and let the Moon Goddess sing for me that night.